Music for Picture: Max Farrar of LUC!D Productions
You may have heard his music before, but you probably won’t recognize his name. Max Farrar has kept himself busy by composing for commercials, TV shows, trailers, and collaborating with artists for a...
View ArticleSound Design Time: Wrigleys’ Rebel 5 – Stir Post Audio
Chew on this assignment: craft a mnemonic for five new spots in the 5 Gum global campaign from agency EnergyBBDO, “Life Happens In 5.” Here’s how Amber Tisue, Senior Sound Designer and Mixer for STIR...
View ArticleComposer Cribs: Charlie Clouser, Los Angeles, CA
Some composers live a career behind the scenes – Charlie Clouser is not one of them. While he currently spends his days and nights creating high-visibility soundtracks (the entire Saw series, Resident...
View ArticleManhattan Production Music: Linking Music Supervisors, Composers, Studios,...
When to go bicoastal? For Manhattan Production Music (MPM), that time is now. Based – where else? – in New York City for over 30 years, the company has just Gone Big by establishing an LA office. But...
View ArticleComposer Cribs: Bill Brown – Los Angeles, CA
“Something soulful” – that’s what Bill Brown searches for when he’s composing music-for-picture. It’s a quest that’s paid off. He was the music man of record for the full nine-year run of “CSI:NY”,...
View ArticleStudio Solutions: Score Problem Solving for “The Infiltrator”
For all those who can’t get enough of the master actor Bryan Cranston since the finale of “Breaking Bad,” this week brings excellent news: He’s starring in The Infiltrator, based on the true story of a...
View ArticleStudio Solutions: Rob Kolar — Score Problem-Solving for “The Detour”
“It is always darkest just before the day dawneth.” – Thomas Fuller Things were not going so well for Rob Kolar, not so long ago. The multi-instrumentalist producer/composer’s hand had been badly...
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